TUM Center for Culture and Arts
We are creating a diverse cultural program for the university community – to discover hidden talents, broaden horizons, and to gain inspiration for new ways of thinking and working – with the offerings of the TUM Center for Culture and Arts.
![light and sound installation “AIS3 [aiskju:b]“ by the composer and concept artist Tim Otto Roth from 2019 (photo: Andreas Heddergott/TUM) light and sound installation “AIS3 [aiskju:b]“ by the composer and concept artist Tim Otto Roth from 2019 (photo: Andreas Heddergott/TUM)](/fileadmin/_processed_/3/9/csm_20190207_Kunstinstallation_AH_506598_4f23989bfc.jpg)
Music, literature, fine arts, performing arts or digital arts: With wide-ranging programs, we forge ties to innovation and technology, politics, history and society. All members of the TUM community − and friends of TUM − are invited to take part: expand your horizons and embrace new ways of thinking.
Current Projects
Sonic Revolutions
The art installation Heaven’s Carousel by Tim Otto Roth will be presented at the Kunstareal from June 27 to July 13. Starting at the Kunstareal Festival, this expansive sound installation featuring 36 glowing speaker spheres will spin above Munich for the first time: like celestial bodies, they rotate above the audience, creating microtonal overtone compositions in space. Accompanying the installation, the international symposium “Tu(r)ning Space” will take place on July 4 and 5 at TUM. Sonic Revolutions is a collaborative project between the Professorship of Audio Information Processing, Prof. Bernhard Seeber, the TUM Center for Culture and Arts, and the artist. The project is funded by TUM University Foundation, DFG, Aventis Foundation and Sparkassenstiftung.
With Heaven’s Carousel, composer and conceptual artist Tim Otto Roth has developed an expansive kinetic instrument that has thrilled audiences in Rome, Baltimore and Karlsruhe, among other places. 36 spherical, illuminated loudspeakers rotate like celestial bodies in three wide orbits above the audience. Due to that rotation, the pitches change continuously. The Doppler effect makes a tone sound higher when it flies towards the visitor and lower when the sound source moves away again. The clue of this sound accelerator is that the effect is cancelled out in the centre, but the more the visitor moves outwards, the more it comes to bear, creating an oscillating microtonal sound carpet. The complementary illumination of the loudspeakers in spectral colours, which indicates the location of the sounds being played, lends the electronic sounds a physical presence and ultimately transforms the loudspeaker ensemble into an intoxicating electro-acoustic music theatre.
The musical compositions will vary during the performance: Roth has developed a programme for the Kunstareal Festival from 27 to 29 June 2025 under the motto ‘The scales are free’, which addresses the moment of freedom in music. For Sonic Revolutions, Roth expands his microtonal combination repertoire with specially developed overtone compositions: sounds— among others from instrumental music—are broken down into their partials and recomposed by playing the individual overtones across the 36 loudspeakers. The highlight of the presentation will be an arrangement of Ludwig van Beethoven's ‘Great Fugue’ op. 133 for the Heaven's Carousel from 11 to 13 July 2025 under the title ‘Ludwig & Joseph - Beethoven meets Fourier’.
180 years after the experimental acoustic validation of the Doppler effect with trumpeters on a steam locomotive, the interplay of space, time and the composition of sound continues to occupy the arts and research. Alongside the presentation of ‘Sonic Revolutions’, Prof. Bernhard Seeber and Dr Tim Otto Roth invite you to the transdisciplinary symposium “Tu(r)ning Space – analysis, synthesis and perception of spatial sound in music, art and hearing science” on 4 and 5 July, at which international experts from the field of acoustics will explore the phenomenon of moving sound with cultural scientists and artists. The symposium will be held in English and will also be broadcast on Zoom. The significance of space and movement for sound art will be explored in a public debate (in German) on 4 July at 8pm.